There are so many how to books out there on photography lighting, why is mine any different?
When I started photography, I reached out to many photographers in my community for help and guidance, most were standoffish and secretive about their techniques. One said that I could come on set and assist but that I would also have to pay him. To this day, I wish I would have kept that email so I could remember the photographer’s name. There were a few who welcomed me with open arms and let me come on their shoots, but our styles were very different, I ended up going on my own after a shoot or two. I would like to take this time to thank those photographers: Steve Bloch, Joni Kabana, Dan Tyrpak, Pete Springer, and Manny Minjarez who’s style was close to what I wanted. Even though I had just started and had no “style,” I knew in my mind what I wanted to create, I just didn’t know how to execute it. So I resorted to searching for books on fashion photography and lighting. It was a long road to find that golden goose. Most of the book that I came across, the author had a good grasp on the technical side but for some reason it didn’t translate over to their photography, what I found were books with awful sample images and I would think to myself, “Why would I spend $40 to try and replicate how to make these ugly photos?” Just like we all know how a free throw is made in basketball. You have to have the right motion of the arm, the right flick of the wrist, right amount of power and arch in the throw to get the ball into the basket, and we can sit there and explain it to someone over and over, but if you can’t do it yourself why would they listen to you? I never did find that golden goose. I ended up just learning through trial and error. I bought three strobes and locked myself into my spare bedroom and shot with models for 30 days straight. I made sure that the lighting was different for each shoot. In that month, I started to develop my own style.
Through that process, I developed a sense of protection on what I learned and maybe this was the case with the photographers who didn’t want to help me. They too, learned their craft through much blood and sweat. A year after starting photography I landed an interview for an internship in New York City with a high profile photography team. I flew out there, stayed in a hostel, went to the interview, they offered me the internship 15 minutes later. I had 3 pairs of underwear and no place to live, regardless I said YES! I thought this was going to be my big break, a chance of a life time to learn from one of the best. I called my wife of just a year to tell her the news, she cried. She was very happy for me but it meant that we would be on opposite coasts for at least 3 months. We talked and felt like it was the best thing for my photography.
Three months went by. I was nothing more than a personal assistant. We had only two photoshoots. I wasn’t taught a thing. Scratch that, I didn’t learn a thing related to photography, what I did learn during this period in NYC would later change my life for the better (and I also made two awesome friends for life!). After my internship I was offered a position to run their studio, I declined. I didn’t want the shackles, I would have been at their beck and call 24/7. I’m not joking. I had a hard decision to make, should I move back to Portland after three months of not getting anywhere? Or should I stay in New York and see what I could do on my own? After deliberating with the wife, I stayed. It was a long year but I grew as a person.
After moving back to Portland I had a shift in my mentality. I saw what my life could end up like as a high profile celebrity photographer, to be self absorb, selfish, and how depressing my life could be if I lived for myself. I started accepting interns and teaching other photographers what I knew, and making sure that I actually helped them and not use them as personal errand staff. I started creating BTS, how to videos and teaching workshops. This is where I started being selfish, in a good way. Teaching others was very rewarding, the joy and gratitude that they express makes fulfills my soul. This is when it occurred to me that I was in a good spot in my career to write a book on photography lighting. I have a big enough collection of images in different genres to be able to create a book that I’ve been searching for since I first started photography. The golden goose.
At its core, this is an easy-to-use technical handbook with lighting set-ups and simple tips you can implement right now to improve your lighting. Each chapter focuses on a type of lighting (e.g. one-strobe, four-strobes, camera flash, natural light, hot lights). At its heart, this book and its images are meant to inspire you, with a candid look into the background and thought behind each creative concept, and the amusing realities of bringing an idea to life.
There is a wide variety of imagery in this book, 50 to be exact shot both indoors and out, ranging from lifestyle, to beauty, to sports, to fashion, to portraits, to commercial work, so all photographers can benefit from the demonstrated techniques. Anyone looking to make the move from amateur to professional will find this an invaluable resource. Professionals looking to kick-start the creative juices will find inspiration and perhaps new lighting techniques to improve and simplify their process. Novice photographers may wish to familiarize themselves with the glossary terms first, but rest assured, this book minimizes jargon and maximizes utility.
I want to thank Zemotion (Jingna Zhang) and Solstice Retouch (Pratik Naik) for taking the time to review my book and writing a foreword in it. Both of your talents are amazing and to have your respect is truly humbling. Thank you for your support. Here’s what they both had to say about the book (click on the image to get a better resolution).
I also want to thank Corey Michaud for putting together the elements for the lighting diagrams, without those I wouldn’t have any way to share my lighting set-ups. And most of all, thank you Lindsay Michelet for your endless editing of the book and content direction, you make me sound smarter than I really am, and less of a smart ass than I really am.
You can find Quavondo’s Photography Lighting Techniques on Amazon. Here’s a preview of the book:
- 132 pages
- ISBN: 978-1466463844
- Product Dimensions: 11 x 8.5 x 0.3
- Shipping Weight: 14.4 ounces
Here are 25 of the 50 images that are dissected within this book:
This book is also available as an eBook for the Kindle, Kindle Fire, iPad, etc.
Here’s what it looks like on the iPad:
For the Kindle Fire:
For the Kindle:
Signed book with a personalized note is available for a limited time. Price is $50. Please send inquiries to email@example.com. Only 25 signed books are available for the Christmas rush. First come first served. I need to know who to make the book out to and also a link to their photography if they are a photographer. I handle and ship all personalized book orders.
If you’re not a photographer, get it for the photographer in your life. Trust me, they will thank you. They will love it. Please remember to rate my book as well. Thank you for your love and support.
Also an oversight on my part, the photo of me in my book is one of my favorites to date and I forgot to give credit to Bryce Lewis for taking the shot. Great job buddy!